KOLORISTIKA APP · 1.1.4 · MONTAGE EXPORT, GALLERY SEARCH, BATCH
Apr 4th 2026 • PRESS RELEASE
WE'VE BEEN BUSY.
The aligned series you shot with Montage Anchor becomes a match-cut sequence, exported as video from the app. Plus a gallery that searches by how a shot was made, and batch export for the whole roll.
Koloristika 1.1.4 is out now.
Montage Export closes the loop opened in 1.1.2. Montage Anchor let you shoot a series with an object locked to the same spot, frame to frame. Montage Export turns that series into the cut. Select the frames and Koloristika sequences them into a match-cut montage, a wheel becoming a clock becoming a doorknob, the classic film device made on the phone that shot it. Export as ProRes 422 or ProRes Proxy for the edit, H.265 or H.264 for sharing, with playback speed, frame rate, and order under your control. The stills were always frames. Now they run.
Gallery Search makes the library legible. Type a format, Super 35, IMAX, XPan. A focal length in millimeters. An aspect ratio, a lens, a location. Koloristika reads the metadata it wrote at capture and finds the frames. And when metadata cannot answer, the search falls through to on-device vision, reading what is actually in the picture. No cloud, no upload.
Batch Processing handles the roll, not the frame. Select five or select fifty. Paste one look across all of them. Batch export as JPG or TIFF, with FrameStamp burned in or stripped clean. Your library, your way out.
The aligned series you shot with Montage Anchor becomes a match-cut sequence, exported as video from the app. Plus a gallery that searches by how a shot was made, and batch export for the whole roll.
Koloristika 1.1.4 is out now.
Montage Export closes the loop opened in 1.1.2. Montage Anchor let you shoot a series with an object locked to the same spot, frame to frame. Montage Export turns that series into the cut. Select the frames and Koloristika sequences them into a match-cut montage, a wheel becoming a clock becoming a doorknob, the classic film device made on the phone that shot it. Export as ProRes 422 or ProRes Proxy for the edit, H.265 or H.264 for sharing, with playback speed, frame rate, and order under your control. The stills were always frames. Now they run.
Gallery Search makes the library legible. Type a format, Super 35, IMAX, XPan. A focal length in millimeters. An aspect ratio, a lens, a location. Koloristika reads the metadata it wrote at capture and finds the frames. And when metadata cannot answer, the search falls through to on-device vision, reading what is actually in the picture. No cloud, no upload.
Batch Processing handles the roll, not the frame. Select five or select fifty. Paste one look across all of them. Batch export as JPG or TIFF, with FrameStamp burned in or stripped clean. Your library, your way out.
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