TheBrim® Linny for BMD
Linny by The Brim®
Advanced subtractive color modeling LUT Kit for Blackmagic's Film Log recording family of cameras such as the Ursa 4.6K, Ursa 4.6K G2, Pocket Cinema Camera 4K, Pocket Cinema Camera 6K, Blackmagic Micro Cinema Camera HD/2K, Pocket Cinema Camera HD/2K, and original 2.5K Cinema Camera. The kit includes the following LUTs in 16x16x16 and 32x32x32 sizes of .CUBE files:
Linny Kit with native Blackmagic color space for Blackmagic Pocket 6K, Ursa 4.6K, Ursa 4.6K G2 cameras:
- TheBrim® BMD 4.6K/6K Linny
- TheBrim® BMD 4.6K/6K Linny + Print B0
- TheBrim® BMD 4.6K/6K Linny + Print B1
- TheBrim® BMD 4.6K/6K Linny + Print B2
- TheBrim® BMD 4.6K/6K Linny + Print B3
- TheBrim® BMD 4.6K/6K Linny + Print B4
Linny Kit with native Blackmagic color space for Blackmagic Pocket 4K cameras:
- TheBrim® BMD 4K Linny
- TheBrim® BMD 4K Linny + Print B0
- TheBrim® BMD 4K Linny + Print B1
- TheBrim® BMD 4K Linny + Print B2
- TheBrim® BMD 4K Linny + Print B3
- TheBrim® BMD 4K Linny + Print B4
Linny Kit with native Blackmagic color space for Blackmagic Pocket HD, Micro HD, Production 2.5K cameras:
- TheBrim® BMD 2K/2.5K Linny
- TheBrim® BMD 2K/2.5K Linny + Print B0
- TheBrim® BMD 2K/2.5K Linny + Print B1
- TheBrim® BMD 2K/2.5K Linny + Print B2
- TheBrim® BMD 2K/2.5K Linny + Print B3
- TheBrim® BMD 2K/2.5K Linny + Print B4
Linny Kit with native Blackmagic color space for Blackmagic Pocket HD, Micro HD, Production 2.5K cameras, with color space matched to ARRI Alexa:
- TheBrim® BMD Film Linny (ARRI Matched)
- TheBrim® BMD Film Linny + Print B0 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B1 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B2 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B3 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B4 (ARRI Matched)
USEFUL TIPS:
- Apply exposure changes before / underneath the LUT. We advise affecting only the luminance with these exposure changes, without changing the saturation levels or chrominance levels.
- In case of Out-of-Gamut / Edge-of-Gamut colors correct either the color saturation level or luminance level of that specific color before / underneath the LUT.
- For general best performance and in case of "banding" or other artefacting within DaVinci Resolve be sure to switch to an appropriate LUT interpolation algorithm. You can do this in DaVinci Resolve by going to "Settings" then to the “Color Management“ tab, under “3D Lookup Table Interpolation” switch to “Tetrahedral”.
Current Iteration: Block 4
