SPK

SUCOMO™ Supplementary Print Kit

A collection of 25 precision print emulations, ranging from contemporary commercial and music video looks to theatrical print emulations. These LUTs are primarily designed to work with Cineon film scans and our SUCOMO™ Subtractive Color Model Linny and Cinny LUTs, including camera specific Linny and Linny VFX. They come as standalone LUTs and are designed to be blended-in to taste, or used at 100% as a stage after the base Linny/Cinny LUT or Cineon film scan. We advise using these print LUTs as the last stage in your grade structure with all other corrections before it.

Like with all of our other color science products future updates to the Supplementary Print Kit, be they in the form of additional print variants or technical tweaks will come free of charge to all customers of SUCOMO™ SPK.

COMPATIBLE WITH

SPK Kit included LUTs

Type O Print Emulation
A very contemporary cinematic look with an intense warm pastel color palette and a high contrast for deep blacks.

Type L Print Emulation
High density version of Type O

Type A Print Emulation
A contemporary look with a high contrast ratio and a distinct cinematic color palette.

Type Z Print Emulation
A nostalgic, 1990's style monochromatic print emulation with a high contrast ratio.

Type C Print Emulation
Retains a natural response palette while adding depth and a classic print high contrast curve.

Type R Print Emulation
This “dirty” print brings a very contemporary look generated from lower-quality print transfers and negative stocks. Its default high contrast level and extreme color transform give a large latitude of the effect and should be blended in to taste.

Type D Print Emulation
This warm “dirty” print brings a very contemporary look generated from lower-quality print transfers and negative stocks.

Type S Print Emulation
An easy to use print emulation, with a balanced contrast ratio and tint/temperature bias.

Type H Print Emulation
A dense but colorful cinematic print with increased color separation and a strong analog look.

Type G Print Emulation
A warmer, colorful cinematic print with a soft contrast curve and increased color separation. Suitable for any light condition and should be used at 100% blend.

Type Y Print Emulation
An easy to use print emulation, with a balanced contrast ration, warmer balance and a mild green bias.

Type J Print Emulation
A high density low contrast intermediate or technical scan look.

Type F Print Emulation
A classic theatrical print with a pastel palette and a color depth retaining a lower contrast level. Suitable for any light condition and should be used at 100% blend.

Type E Print Emulation
A high density version of Type F.

Type Q Print Emulation
A 90s style low contrast look generated from analog telecine scans intended for TV broadcast. Suitable for any light condition and should be used at 100% blend.

Type P Print Emulation
A high density version of Type Q.

Type W Print Emulation
A low density version of Type V.

Type M Print Emulation
A contemporary moody look with a subdued color palette. Featuring darker cold tones, and earthy natural warm tones.

Type I Print Emulation
An easy to use, standard cinematic black and white emulation with a classic contrast curve.

Type V Print Emulation
A very clean, high-quality theatrical print emulation. Suitable for any light condition and should be used at 100% blend.

Type U Print Emulation
A high density version of Type V.

Type N Print Emulation
While somewhat similar to the original high contrast Type B print supplied with the Linny stock kit, Type N adds more clarity and cleanliness.

Type T Print Emulation
Brings the spirit of classic Hollywood cinema prints of the 1970-1980 era into the 21st century with an accuracy never before seen in the digital realm. It features extremely organic earthy tones and a beautifully soft contrast curve.

Type K Print Emulation
An easy to use all-around classic cinematic print with a beautifully muted organic palette.

Type X Print Emulation
An extremely high contrast ratio monochrome look emulating black and white photography with a red optical filter. Making the blue tones, usually the sky, almost black and warm tones, like skin, bright white. Due to this aggressive effect, some footage may require a chromatic noise reduction stage before the LUT.