TheBrim® SUCOMO™ Pipeline for RED
Includes Linny for RED & Linny VFX
Get 50% off Linny VFX standalone kit when purchasing it as a SUCOMO™ Pipeline bundle.
Advanced subtractive color modeling LUT Kit for RED IPP2 - REDLogFilm and Log3g10. The kit includes the following LUTs in 17x17x17, 32x32x32 and 64x64x64 sizes of .CUBE files:
Linny LUTs for RED Log3g10:
- TheBrim® Log3g10 Linny
- TheBrim® Log3g10 Linny + Print B0
- TheBrim® Log3g10 Linny + Print B1
- TheBrim® Log3g10 Linny + Print B2
- TheBrim® Log3g10 Linny + Print B3
- TheBrim® Log3g10 Linny + Print B4
Linny LUTs for REDLogFilm:
- TheBrim® REDLogFilm Linny
- TheBrim® REDLogFilm Linny + Print B0
- TheBrim® REDLogFilm Linny + Print B1
- TheBrim® REDLogFilm Linny + Print B2
- TheBrim® REDLogFilm Linny + Print B3
- TheBrim® REDLogFilm Linny + Print B4
Variants with Infrared Pollution Control:
- TheBrim® REDLogFilm Linny IRC
- TheBrim® REDLogFilm Linny + Print B0 IRC
- TheBrim® REDLogFilm Linny + Print B1 IRC
- TheBrim® REDLogFilm Linny + Print B2 IRC
- TheBrim® REDLogFilm Linny + Print B3 IRC
- TheBrim® REDLogFilm Linny + Print B4 IRC
Linny VFX
The kit includes the following LUTs in 16x16x16, 32x32x32 and 64x64x64 sizes of .CUBE and Unwrapped Cube .TIFF files and preset variants for Adobe Camera RAW:
Classic Mode Linny VFX LUTs:
- TheBrim® Linny VFX
- TheBrim® Linny VFX + Print B0
- TheBrim® Linny VFX + Print B1
- TheBrim® Linny VFX + Print B2
- TheBrim® Linny VFX + Print B3
- TheBrim® Linny VFX + Print B4
Along with the Classic Mode additional Linny VFX modes are also included:
- Linny VFX SST - Smooth Saturation Transient Mode
For use with problematic saturation and hue transients.
- Linny VFX HRM - Highlight Retention Mode
Retains highlight areas by lowering the white point.
- Linny VFX HRM+SST - Highlight Retention Mode with Smooth Saturation Transients
- Combined variant of the above mentioned modes.
Learn more about SUCOMO™ color science here, and about Linny VFX here.
USEFUL TIPS:
- Apply exposure changes before / underneath the LUT. We advise affecting only the luminance with these exposure changes, without changing the saturation levels or chrominance levels.
- In case of Out-of-Gamut / Edge-of-Gamut colors correct either the color saturation level or luminance level of that specific color before / underneath the LUT.
- For general best performance and in case of "banding" or other artefacting within DaVinci Resolve be sure to switch to an appropriate LUT interpolation algorithm. You can do this in DaVinci Resolve by going to "Settings" then to the “Color Management“ tab, under “3D Lookup Table Interpolation” switch to “Tetrahedral”.
- If you are using Linny VFX for processing photographic work we suggest shooting RAW and processing the images with the supplied ACR/Lightroom presets for the highest possible performance.
