Industry-leading cinema color science now available for VFX Artists & Photographers
Linny for Linear
While developing Linny VFX we had a clear goal of bringing our SUCOMO™ subtractive color model to a wider audience, all whilst bridging the VFX gap for our existing users of Linny LUTs. After more then a year of development and industry vetting Linny VFX is finally here. With Linny VFX you can now easily match linear textured CGI models, plates and other compositing assets with footage shot on Linny LUT supported cinema cameras, and because Linny LUT is such an accurate representation of analog film it can be utilised for matching with material shot on 16mm, 35mm and 65mm motion picture film. For these tasks the kit also includes the regular non print version of Linny LUT for use as a pseudo log base, making Linear-to-Log conversions a breeze, with unprecedented accuracy and depth. Going beyond VFX and motion picture applications, Linny VFX is suitable for use in photography, game development, and wherever linear material needs a cinematic touch or a starting point for a custom color grade based on our acclaimed SUCOMO™ subtractive color science.
S U P P O R T E D I N
Photographic LUT for Cinematic Outcomes
While primarily a VFX tool for look matching linear assets with material that is already utilising our Linny LUTs for cinema camera platforms, Linny VFX LUTs are designed to be applied to any linear material. Therefore they can be used for photographic work, to either convert images to log with the included pseudo-log Linny LUT or to process images to a cinematic final color output with Linny+Print LUTs. This makes Linny VFX an ideal solution for pre-production stills, high resolution compositing plates and commercial or art photography. For the highest possible performance, when used in photographic applications the kit includes Linny VFX in the form of Adobe CameraRaw profiles, which allow Linny VFX to be used in Adobe Photoshop and Lightroom for processing RAW images.
Not Another Emulation
Our range of Linny LUTs for log recording cameras are designed for and extensively used by high end cinema productions the world over, consequently with Linny VFX photographers now have access to actual industrial grade cinematic color science and not just another inspired emulation.
Linny VFX in Use
Seamless integration across mixed media was a key goal during the development process of Linny VFX. The kit was designed to be as universal as possible, to perform perfectly even with none or bare minimum corrections and preparations of the source material before applying the LUT.
* All examples below are demonstrating either Linny VFX + Print B3 or B4 LUT variants applied on to various digital stills, CGI renders and composite images with textural grain added, for more examples of the color science visit the main SUCOMO™ page.
Subtractive Color Science Pipeline
Linny VFX pipeline solutions allow for a unified cross platform color science throughout the production process. Be it for pre-production tasks or down the post production pipeline, SUCOMO™ subtractive color science LUTs are cohesive and easy to use at every stage, allowing for fast and efficient cross department process communication and integration with mixed media. Linny Pipeline solutions are supported by all leading hardware systems, VFX, CGI, compositing, real-time preview and photo and video editing platforms, making Linny the ideal choice for any production environment.
Linny VFX Kit Includes
|
1
Linny Conversion LUT |
5
Lenny + Print LUTs |
.CUBE
Up to 64 x 64 x 64 Size Cube 3D LUTs |
ACR
Adobe CameraRaw Profiles |
.TIFF
Unwrapped Cube Images |
Along with the Classic Mode the following Linny VFX special application modes are also included in the kit.
|
Linny VFX SST
Smooth Saturation Transient Mode For use with problematic saturation and hue transients. |
Linny VFX HRM
Highlight Retention Mode Retains highlight areas by lowering the white point. |
Linny VFX HRM+SST
Highlight Retention + Smooth Saturation Transients Combined variant of HRM and SST modes. |
Contact us if you require any other format or dimensions.
Pipeline Kits
Linny VFX is included in all of our SUCOMO™ Pipeline bundles at a discounted price!
TheBrim® SUCOMO™ Pipeline for ARRI
$990.00
$643.00
Includes Linny for ARRI & Linny VFX
Get 50% off Linny VFX standalone kit when purchasing it as a SUCOMO™ Pipeline bundle.
Advanced subtractive color modeling LUT Kit for ARRI's Alexa family of cameras. Includes the following LUTs in 16x16x16, 32x32x32 sizes of both .CUBE and .AML formats:
Standard Linny LUT for ARRI:
- TheBrim® Alexa Linny
- TheBrim® Alexa Linny + Print B0
- TheBrim® Alexa Linny + Print B1
- TheBrim® Alexa Linny + Print B2
- TheBrim® Alexa Linny + Print B3
- TheBrim® Alexa Linny + Print B4
Smooth Saturation Transient Linny LUT for ARRI:
- TheBrim® Alexa Linny SST
- TheBrim® Alexa Linny + Print B0 SST
- TheBrim® Alexa Linny + Print B1 SST
- TheBrim® Alexa Linny + Print B2 SST
- TheBrim® Alexa Linny + Print B3 SST
- TheBrim® Alexa Linny + Print B4 SST
Linny VFX
The kit includes the following LUTs in 16x16x16, 32x32x32 and 64x64x64 sizes of .CUBE and Unwrapped Cube .TIFF files and preset variants for Adobe Camera RAW:
Classic Mode Linny VFX LUTs:
- TheBrim® Linny VFX
- TheBrim® Linny VFX + Print B0
- TheBrim® Linny VFX + Print B1
- TheBrim® Linny VFX + Print B2
- TheBrim® Linny VFX + Print B3
- TheBrim® Linny VFX + Print B4
Along with the Classic Mode additional Linny VFX modes are also included:
- Linny VFX SST - Smooth Saturation Transient Mode
For use with problematic saturation and hue transients.
- Linny VFX HRM - Highlight Retention Mode
Retains highlight areas by lowering the white point.
- Linny VFX HRM+SST - Highlight Retention Mode with Smooth Saturation Transients
Combined variant of the above mentioned modes.
Learn more about SUCOMO™ color science here, and about Linny VFX here.
The ARRI Linny Kit alsocontains a special version of Linny LUT indicated with "SST" (Smooth Saturation Transients) in the file and folder name, this version of Linny LUT should only be used in cases of extreme Out-of-Gamut / Edge-of-Gamut colors, which are usually generated by highly saturated colored LED light sources which cause the camera sensor to incorrectly render the luminosity levels of affected areas and in more extreme cases to develop color artifacting. Linny SST LUTs are not an accurate representation of the SUCOMO™ Subtractive Color Science and should only be used when necessary.
USEFUL TIPS:
- Apply exposure changes before / underneath the LUT. We advise affecting only the luminance with these exposure changes, without changing the saturation levels or chrominance levels.
- In case of Out-of-Gamut / Edge-of-Gamut colors correct either the color saturation level or luminance level of that specific color before / underneath the LUT.
- For general best performance and in case of "banding" or other artefacting within DaVinci Resolve be sure to switch to an appropriate LUT interpolation algorithm. You can do this in DaVinci Resolve by going to "Settings" then to the “Color Management“ tab, under “3D Lookup Table Interpolation” switch to “Tetrahedral”.
- If you are using Linny VFX for processing photographic work we suggest shooting RAW and processing the images with the supplied ACR/Lightroom presets for the highest possible performance.
TheBrim® SUCOMO™ Pipeline for RED
$990.00
$643.00
Includes Linny for RED & Linny VFX
Get 50% off Linny VFX standalone kit when purchasing it as a SUCOMO™ Pipeline bundle.
Advanced subtractive color modeling LUT Kit for RED IPP2 - REDLogFilm and Log3g10. The kit includes the following LUTs in 17x17x17, 32x32x32 and 64x64x64 sizes of .CUBE files:
Linny LUTs for RED Log3g10:
- TheBrim® Log3g10 Linny
- TheBrim® Log3g10 Linny + Print B0
- TheBrim® Log3g10 Linny + Print B1
- TheBrim® Log3g10 Linny + Print B2
- TheBrim® Log3g10 Linny + Print B3
- TheBrim® Log3g10 Linny + Print B4
Linny LUTs for REDLogFilm:
- TheBrim® REDLogFilm Linny
- TheBrim® REDLogFilm Linny + Print B0
- TheBrim® REDLogFilm Linny + Print B1
- TheBrim® REDLogFilm Linny + Print B2
- TheBrim® REDLogFilm Linny + Print B3
- TheBrim® REDLogFilm Linny + Print B4
Variants with Infrared Pollution Control:
- TheBrim® REDLogFilm Linny IRC
- TheBrim® REDLogFilm Linny + Print B0 IRC
- TheBrim® REDLogFilm Linny + Print B1 IRC
- TheBrim® REDLogFilm Linny + Print B2 IRC
- TheBrim® REDLogFilm Linny + Print B3 IRC
- TheBrim® REDLogFilm Linny + Print B4 IRC
Linny VFX
The kit includes the following LUTs in 16x16x16, 32x32x32 and 64x64x64 sizes of .CUBE and Unwrapped Cube .TIFF files and preset variants for Adobe Camera RAW:
Classic Mode Linny VFX LUTs:
- TheBrim® Linny VFX
- TheBrim® Linny VFX + Print B0
- TheBrim® Linny VFX + Print B1
- TheBrim® Linny VFX + Print B2
- TheBrim® Linny VFX + Print B3
- TheBrim® Linny VFX + Print B4
Along with the Classic Mode additional Linny VFX modes are also included:
- Linny VFX SST - Smooth Saturation Transient Mode
For use with problematic saturation and hue transients.
- Linny VFX HRM - Highlight Retention Mode
Retains highlight areas by lowering the white point.
- Linny VFX HRM+SST - Highlight Retention Mode with Smooth Saturation Transients
- Combined variant of the above mentioned modes.
Learn more about SUCOMO™ color science here, and about Linny VFX here.
USEFUL TIPS:
- Apply exposure changes before / underneath the LUT. We advise affecting only the luminance with these exposure changes, without changing the saturation levels or chrominance levels.
- In case of Out-of-Gamut / Edge-of-Gamut colors correct either the color saturation level or luminance level of that specific color before / underneath the LUT.
- For general best performance and in case of "banding" or other artefacting within DaVinci Resolve be sure to switch to an appropriate LUT interpolation algorithm. You can do this in DaVinci Resolve by going to "Settings" then to the “Color Management“ tab, under “3D Lookup Table Interpolation” switch to “Tetrahedral”.
- If you are using Linny VFX for processing photographic work we suggest shooting RAW and processing the images with the supplied ACR/Lightroom presets for the highest possible performance.
TheBrim® SUCOMO™ Pipeline for BMD
$990.00
$643.00
Includes Linny for Blackmagic & Linny VFX
Get 50% off Linny VFX standalone kit when purchasing it as a SUCOMO™ Pipeline bundle.
Advanced subtractive color modeling LUT Kit for Blackmagic family of cameras. Includes the following LUTs in 16x16x16, 32x32x32 sizes of .CUBE files:
Linny Kit with native Blackmagic color space for Blackmagic Pocket 6K, Ursa 4.6K, Ursa 4.6K G2 cameras:
- TheBrim® BMD 4.6K/6K Linny
- TheBrim® BMD 4.6K/6K Linny + Print B0
- TheBrim® BMD 4.6K/6K Linny + Print B1
- TheBrim® BMD 4.6K/6K Linny + Print B2
- TheBrim® BMD 4.6K/6K Linny + Print B3
- TheBrim® BMD 4.6K/6K Linny + Print B4
Linny Kit with native Blackmagic color space for Blackmagic Pocket 4K cameras:
- TheBrim® BMD 4K Linny
- TheBrim® BMD 4K Linny + Print B0
- TheBrim® BMD 4K Linny + Print B1
- TheBrim® BMD 4K Linny + Print B2
- TheBrim® BMD 4K Linny + Print B3
- TheBrim® BMD 4K Linny + Print B4
Linny Kit with native Blackmagic color space for Blackmagic Pocket HD, Micro HD, Production 2.5K cameras:
- TheBrim® BMD 2K/2.5K Linny
- TheBrim® BMD 2K/2.5K Linny + Print B0
- TheBrim® BMD 2K/2.5K Linny + Print B1
- TheBrim® BMD 2K/2.5K Linny + Print B2
- TheBrim® BMD 2K/2.5K Linny + Print B3
- TheBrim® BMD 2K/2.5K Linny + Print B4
Linny Kit with color space matched to ARRI Alexa for Blackmagic Pocket HD, Micro HD, Production 2.5K cameras:
- TheBrim® BMD Film Linny (ARRI Matched)
- TheBrim® BMD Film Linny + Print B0 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B1 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B2 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B3 (ARRI Matched)
- TheBrim® BMD Film Linny + Print B4 (ARRI Matched)
Linny VFX
The kit includes the following LUTs in 16x16x16, 32x32x32 and 64x64x64 sizes of .CUBE and Unwrapped Cube .TIFF files and preset variants for Adobe Camera RAW:
Classic Mode Linny VFX LUTs:
- TheBrim® Linny VFX
- TheBrim® Linny VFX + Print B0
- TheBrim® Linny VFX + Print B1
- TheBrim® Linny VFX + Print B2
- TheBrim® Linny VFX + Print B3
- TheBrim® Linny VFX + Print B4
Along with the Classic Mode additional Linny VFX modes are also included:
- Linny VFX SST - Smooth Saturation Transient Mode
For use with problematic saturation and hue transients.
- Linny VFX HRM - Highlight Retention Mode
Retains highlight areas by lowering the white point.
- Linny VFX HRM+SST - Highlight Retention Mode with Smooth Saturation Transients
Combined variant of the above mentioned modes.
Learn more about SUCOMO™ color science here, and about Linny VFX here.
USEFUL TIPS:
- Apply exposure changes before / underneath the LUT. We advise affecting only the luminance with these exposure changes, without changing the saturation levels or chrominance levels.
- In case of Out-of-Gamut / Edge-of-Gamut colors correct either the color saturation level or luminance level of that specific color before / underneath the LUT.
- For general best performance and in case of "banding" or other artefacting within DaVinci Resolve be sure to switch to an appropriate LUT interpolation algorithm. You can do this in DaVinci Resolve by going to "Settings" then to the “Color Management“ tab, under “3D Lookup Table Interpolation” switch to “Tetrahedral”.
- If you are using Linny VFX for processing photographic work we suggest shooting RAW and processing the images with the supplied ACR/Lightroom presets for the highest possible performance.
Recommend Addition
TheBrim® SUCOMO Print Kit
$257.00
SUCOMO Supplementary Print Kit
A collection of precision print emulations, designed to work with Cineon film scans and our Linny and Cinny subtractive color science model LUTs, including camera specific Linny and Linny VFX. They come as standalone LUTs and are designed to be blended-in to taste, or used at 100% in a node after or layer above the base Linny LUT or film scan. We suggest using these LUTs as the last correction in your grade structure.
Like with all of our other color science products future updates to the Supplementary Print Kit, be they in the form of additional print variants or technical tweaks will come free of charge to all customers of SUCOMO SPK.
The SPK Kit includes the following LUTs in 16x16x16, 32x32x32 and 64x64x64 sizes in .CUBE format:
Type T Print Emulation
Brings the spirit of classic Hollywood cinema prints of the 1970-1980 era in to the 21st century with an accuracy never before seen in the digital realm. It features extremely organic earthy tones and a beautifully soft contrast curve.
Type C Print Emulation
Retains a natural response palette while adding depth and a classic print contrast curve.
Type D Print Emulation
This “dirty” print brings a very contemporary look generated from lower quality print transfers and negative stocks.
Type K Print Emulation
A classic cinematic print with a beautifully muted organic palette.
Type N Print Emulation
While somewhat similar to the original Type B print that comes supplied with the Linny stock kit, it adds more clarity and cleanliness.
Examples of SPK LUTs in use can be found here.
USEFUL TIPS:
- Apply exposure changes before / underneath the LUT. We advise affecting only the luminance with these exposure changes, without changing the saturation levels or chrominance levels.
- In case of Out-of-Gamut / Edge-of-Gamut colors correct either the color saturation level or luminance level of that specific color before / underneath the LUT.
- For general best performance and in case of "banding" or other artefacting within DaVinci Resolve be sure to switch to an appropriate LUT interpolation algorithm. You can do this in DaVinci Resolve by going to "Settings" then to the “Color Management“ tab, under “3D Lookup Table Interpolation” switch to “Tetrahedral”.
